Yet the finished product is one of the most important popular and accessible books now available in Egyptology. Now, I must confess personal bias here – Joyce is a friend and University of Manchester colleague, and we have discussed the content of the book extensively. As a fellow curator, the idea of spending a whole book on a sole museum object is particularly appealing to me. The book follows the successful format of the biography of a single object adopted by Laurence Berman, curator at the Museum of Fine Arts, Boston, in his accessible study of the Late Period ‘Boston Green Head’. Tyldesley has already written an excellent biography of the lady herself, and uses this opportunity to discuss her most famous representation – and how it skews our entire impression of who she was. Joyce Tyldesley’s new book concerns Ancient Egypt’s most well-known poster-girl: Nefertiti, or – more accurately – a painted limestone and plaster bust of her now in the Neues Museum in Berlin.
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